°øÁö : µµÄìÁõ±Ç°Å·¡¼Ò JASDAQ ½ºÅÄ´Ùµå ½ÃÀå ½Å±Ô »óÀå °ü·Ã ¾È³»

Global Information
ȸ»ç¼Ò°³ | ¹®ÀÇ | ºñ±³¸®½ºÆ®

¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå(2016-2020³â)

Global Digital Music Content Market 2016-2020

¸®¼­Ä¡»ç TechNavio (Infiniti Research Ltd.)
¹ßÇàÀÏ 2016³â 09¿ù »óǰ ÄÚµå 370853
ÆäÀÌÁö Á¤º¸ ¿µ¹® 52 Pages
°¡°Ý
US $ 2,500 £Ü 2,853,000 PDF (Single user license) help
1¸í¸¸ ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. PDF ÆÄÀÏÀº Copy & Paste°¡ °¡´ÉÇÕ´Ï´Ù. ÀμâȽ¼ö¿¡ Á¦ÇÑÀº ¾øÀ¸³ª, Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿¡ ÁØÇÕ´Ï´Ù.
US $ 3,000 £Ü 3,424,000 PDF (5-user license) help
µ¿ÀÏ »ç¾÷Àå ³» 5¸í±îÁö °øÀ¯ÇÏ¿© ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. PDF ÆÄÀÏÀº Copy & Paste°¡ °¡´ÉÇÕ´Ï´Ù. ÀμâȽ¼ö¿¡ Á¦ÇÑÀº ¾øÀ¸³ª, Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿¡ ÁØÇÕ´Ï´Ù.
US $ 4,000 £Ü 4,565,000 PDF (Enterprise license) help
µ¿ÀÏ ±â¾÷ ³» ¸ðµç ºÐµéÀÌ °øÀ¯ÇÏ¿© ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. ÀÌ¿ë Àοø¼ö¿¡ Á¦ÇÑÀº ¾ø½À´Ï´Ù. PDF ÆÄÀÏÀº Copy & Paste°¡ °¡´ÉÇÕ´Ï´Ù. ÀμâȽ¼ö¿¡ Á¦ÇÑÀº ¾øÀ¸³ª, Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿¡ ÁØÇÕ´Ï´Ù.
US $ 6,000 £Ü 6,848,000 PDF (Global license) help
µ¿ÀÏ ±â¾÷ ³» ¸ðµç ºÐµéÀÌ °øÀ¯ÇÏ¿© ÀÌ¿ëÇÒ ¼ö ÀÖ´Â ¶óÀ̼±½ºÀÔ´Ï´Ù. ÀÌ¿ë Àοø¼ö¿¡ Á¦ÇÑÀº ¾ø½À´Ï´Ù. PDF ÆÄÀÏÀº Copy & Paste°¡ °¡´ÉÇÕ´Ï´Ù. ÀμâȽ¼ö¿¡ Á¦ÇÑÀº ¾øÀ¸³ª, Àμ⹰ÀÇ ÀÌ¿ë ¹üÀ§´Â PDF ÀÌ¿ë ¹üÀ§¿¡ ÁØÇÕ´Ï´Ù. ¶ÇÇÑ ÇØ´ç ¶óÀ̼±½º´Â º¸°í¼­ ÄÁÅÙÃ÷ÀÇ 15% À̳»·Î ¿ÜºÎ¿ë ¹®¼­¿¡ ÀÎ¿ë °ÔÀç°¡ Çã¿ëµË´Ï´Ù(¿¹£ºÇÁ·¹½º¸±¸®½º, ¸¶ÄÉÆÃ ÀÚ·á, ¹é¼­ µî).


¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå(2016-2020³â) Global Digital Music Content Market 2016-2020
¹ßÇàÀÏ : 2016³â 09¿ù ÆäÀÌÁö Á¤º¸ : ¿µ¹® 52 Pages

¡Ø º» »óǰÀº ¿µ¹® ÀÚ·á·Î Çѱ۰ú ¿µ¹®¸ñÂ÷¿¡ ºÒÀÏÄ¡ÇÏ´Â ³»¿ëÀÌ ÀÖÀ» °æ¿ì ¿µ¹®À» ¿ì¼±ÇÕ´Ï´Ù. Á¤È®ÇÑ °ËÅ並 À§ÇØ ¿µ¹®¸ñÂ÷¸¦ Âü°íÇØÁֽñ⠹ٶø´Ï´Ù.

»óǰÀ¸·Î¼­ÀÇ À½¾ÇÀº Å©°Ô ¾×¼¼½ºÇü°ú ¼ÒÀ¯ÇüÀ¸·Î ºÐ·ùÇÒ ¼ö ÀÖ½À´Ï´Ù. ¾×¼¼½ºÇü À½¾ÇÀº »ç¿ëÀÚ°¡ ÀϹÝÀûÀ¸·Î ¿ù¾×Á¦ÀÌ°í ´Ù¿î·Îµå ÀÚÀ¯ÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ »çÀÌÆ®¸¦ ÅëÇØ¼­ À½¾Ç¿¡ ¾×¼¼½º ÇÒ ¼ö ÀÖÁö¸¸, ¹°¸®Àû ¶Ç´Â µðÁöÅÐ ÇüÅ·ΠÀúÀåÇÒ ¼ö´Â ¾ø½À´Ï´Ù. ±×·¯ÇÑ ¼­ºñ½ºÀÇ ÀϷʰ¡ SpotifyÀÔ´Ï´Ù.

¼¼°è µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷(Digital Music Content) ½ÃÀåÀÇ ÇöÀç ½Ã³ª¸®¿À¿Í ¼ºÀå Àü¸Á, Àü¹®°¡ÀÇ Àǰ߿¡ ±â¹ÝÇÑ ½ÃÀå ºÐ¼®, ÁÖ¿ä º¥´õ µîÀÇ Á¤º¸¸¦ ÀüÇØµå¸³´Ï´Ù.

Á¦1Àå ÁÖ¿ä ¿ä¾à

Á¦2Àå Á¶»ç ´ë»ó

  • ½ÃÀå °³¿ä
  • º» º¸°í¼­ÀÇ ´ë»ó ºÎ¹®
  • °í°´ ¼¼ºÐÈ­
  • ±âÁسâ
  • º¥´õ ¼¼ºÐÈ­
  • ÁÖ¿ä º¥´õÀÇ Á¦°ø Á¦Ç°

Á¦3Àå ½ÃÀå Á¶»ç ¹æ¹ý

  • Á¶»ç ¹æ¹ý
  • °æÁ¦ ÁöÇ¥

Á¦4Àå ¼­·Ð

  • ½ÃÀå µ¿Çâ °³¿ä

Á¦5Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : °³¿ä

  • ¼¼°è À½¾Ç »ê¾÷ÀÇ ¹ßÀü
  • À½¾Ç ¼­ºñ½ºÀÇ Á¾·ù
  • µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷¿¡ ÀÇÇÑ ¸ÅÃ⠺йè

Á¦6Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : ½ÃÀå »óȲ

  • ½ÃÀå ±Ô¸ð¿Í ¿¹Ãø
  • Five Forces ºÐ¼®

Á¦7Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : Á¾·ùº° ½ÃÀå ¼¼ºÐÈ­

  • ¿µ±¸Àû ´Ù¿î·Îµå
  • À½¾Ç ½ºÆ®¸®¹Ö

Á¦8Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : ¿¬·É ±×·ìº° ½ÃÀå ¼¼ºÐÈ­

  • ¼¼°èÀÇ ¿¬·É ±×·ìº° µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå

Á¦9Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : Áö¿ª ¼¼ºÐÈ­

  • ¼¼°èÀÇ Áö¿ªº° µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå
  • ¾Æ¸Þ¸®Ä«
  • ¾Æ½Ã¾ÆÅÂÆò¾ç Áö¿ª
  • À¯·´, Áßµ¿ ¹× ¾ÆÇÁ¸®Ä«

Á¦10Àå µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ÀÇ ÁÖ¿ä ±¹°¡

Á¦11Àå ±¸ÀÔ ±âÁØ

Á¦12Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : ½ÃÀå ¼ºÀå ÃËÁø¿äÀÎ

  • ¼Ò¼È ³×Æ®¿öÅ· »çÀÌÆ®¿¡ ÀÇÇÑ Áö¿ø
  • ÇØÀûÇàÀ§ ¾ïÁ¦ Á¤Ã¥
  • ÄÁÅÙÃ÷ µðº§·ÎÆÛÀÇ ³·Àº Âü¿© À庮

Á¦13Àå ¼ºÀå ÃËÁø¿äÀÎÀÇ ¿µÇâ

Á¦14Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : ÇØ°áÇØ¾ß ÇÒ °úÁ¦

  • ÇØÀûÆÇÀÇ È®»ê
  • ¼¼ÀÌÇÁ ÇϹö ·ê(Safe Harbor Rules) ÇØÁ¦¿¡ ÀÇÇÑ °¡Ä¡ °ÝÂ÷

Á¦15Àå ¼ºÀå ÃËÁø¿äÀΰú ÇØ°áÇØ¾ß ÇÒ °úÁ¦ÀÇ ¿µÇâ

Á¦16Àå ¼¼°èÀÇ µðÁöÅÐ À½¾Ç ÄÁÅÙÃ÷ ½ÃÀå : µ¿Çâ

  • À½¾Ç ½ºÆ®¸®¹Ö ¼­ºñ½ºÀÇ ¼¼°èÈ­
  • µðÁöÅÐ À½¾Ç ·¹ÄÚµåÀÇ ´ëü
  • ¿þ¾î·¯ºí À½¾Ç Àç»ý ´Ü¸»±â¿¡ ´ëÇÑ ¼ö¿ä È®´ë

Á¦17Àå º¥´õ ±¸µµ

  • °æÀï ½Ã³ª¸®¿À
  • ÁÖ¿ä º¥´õ ºÐ¼®
  • ±âŸ ÁÖ¸ñ º¥´õ

Á¦18Àå ºÎ·Ï

Á¦19Àå Technavio ¼Ò°³

KSM 16.10.11

About Music

Music by service can be broadly classified into two categories:

  • Access music
  • Ownership music

In this kind of music, the user has access to soundtracks with the help of digital music content websites, generally on a monthly subscription and free-to-access mode. However, the user cannot store it either in physical or in digital form. Spotify is an example of such service.

Technavio's analysts forecast the global digital music content market to grow at a CAGR of 8.73% during the period 2016-2020.

Covered in this report

The report covers the present scenario and the growth prospects of the global digital music content market for 2016-2020. To calculate the market size, the report considers the revenue generated from the digital music content market by different regions.

The market is divided into the following segments based on geography:

  • Americas
  • APAC
  • EMEA

Technavio's report, Global Digital Music Content Market 2016-2020, has been prepared based on an in-depth market analysis with inputs from industry experts. The report covers the market landscape and its growth prospects over the coming years. The report also includes a discussion of the key vendors operating in this market.

Key vendors

  • Apple
  • Deezer
  • Google
  • iHeartMedia
  • Pandora Media
  • Spotify

Other Prominent Vendors

  • CBS
  • Gaana
  • Guvera
  • Hungama MyPlay
  • Line Music
  • Mixcloud
  • Napster
  • RadioTime
  • Saavn
  • SoundCloud

Market driver

  • Initiatives to curb piracy
  • For a full, detailed list, view our report

Market challenge

  • Value gap due to exemption from safe harbor rules
  • For a full, detailed list, view our report

Market trend

  • Replacement of digital music records
  • For a full, detailed list, view our report

Key questions answered in this report

  • What will the market size be in 2020 and what will the growth rate be?
  • What are the key market trends?
  • What is driving this market?
  • What are the challenges to market growth?
  • Who are the key vendors in this market space?
  • What are the market opportunities and threats faced by the key vendors?
  • What are the strengths and weaknesses of the key vendors?

You can request one free hour of our analyst's time when you purchase this market report. Details are provided within the report.

Table of Contents

PART 01: Executive summary

  • Highlights

PART 02: Scope of the report

  • Market overview
  • Segments included in the report
  • Customer segments
  • Base year
  • Vendor segmentation
  • Top-vendor offerings

PART 03: Market research methodology

  • Research methodology
  • Economic indicators

PART 04: Introduction

  • Key market highlights

PART 05: Industry Overview

  • Evolution of global music industry
  • Type of music by service
  • Distribution of revenue generated from digital music content

PART 06: Market landscape

  • Market size and forecast
  • Five forces analysis

PART 07: Market segmentation by type

  • By permanent downloads
  • By music streaming

PART 08: Market segmentation by age group

  • Global digital music market by age group

PART 09: Geographical segmentation

  • Global digital music content market by region
  • Digital music content market in Americas
  • Digital music content market in APAC
  • Digital music content market in EMEA

PART 10: Key leading countries

PART 11: Buying criteria

PART 12: Market drivers

  • Support from social networking websites
  • Initiatives to curb piracy
  • Low entry barriers for content developers

PART 13: Impact of drivers

PART 14: Market challenges

  • Widespread piracy
  • Value gap due to exemption from safe harbor rules

PART 15: Impact of drivers and challenges

PART 16: Market trends

  • Globalization of music streaming services
  • Replacement of digital music records
  • Rise in demand for wearable music devices

PART 17: Vendor landscape

  • Competitive scenario
  • Key vendor analysis
  • Other prominent vendors

PART 18: Appendix

  • List of abbreviations

PART 19: Explore Technavio

List of Exhibits

  • Exhibit 01: Product offerings
  • Exhibit 02: Evolution of global music industry
  • Exhibit 03: Distribution of revenue generated from music streaming 2015
  • Exhibit 04: Global digital music content market size and forecast 2015-2020 ($ billions)
  • Exhibit 05: Five forces analysis
  • Exhibit 06: Global digital music content market by downloads 2015-2020 ($ billions)
  • Exhibit 07: Global digital music content market by downloads (2015-2020) $ billions
  • Exhibit 08: Global digital music market by age group 2015
  • Exhibit 09: Global digital music content market share by region 2015-2020
  • Exhibit 10: Digital music content market in Americas: Market size and forecast 2015-2020 ($ billions)
  • Exhibit 11: Digital music content market size and forecast in APAC 2015-2020 ($ billions)
  • Exhibit 12: Digital music content market in EMEA: Market size and forecast 2015-2020 ($ billions)
  • Exhibit 13: Germany: Economic scenario 2015
  • Exhibit 14: Sweden: Economic scenario 2015
  • Exhibit 15: US: Economic scenario 2015
  • Exhibit 16: Buying criteria
  • Exhibit 17: Top 10 most followed people on Twitter 2015 (millions)
  • Exhibit 18: Impact of drivers
  • Exhibit 19: Impact of drivers and challenges
  • Exhibit 20: Number of active users by vendor 2015 (millions)
  • Exhibit 21: Recent developments in digital music content industry by vendors
  • Exhibit 22: Deezer: Key compatible devices
Back to Top
ÀüÈ­ ¹®ÀÇ
F A Q