오디오 코덱 : 시장 점유율 분석, 업계 동향 및 통계, 성장 예측(2026-2031년)

According to Mordor Intelligence, the audio codec market size is expected to grow from USD 7.70 billion in 2025 to USD 8.10 billion in 2026 and is forecast to reach USD 10.43 billion by 2031 at 5.18% CAGR over 2026-2031.

This report is Segmented by Component (Hardware DSP IP Cores, Software Codecs), Codec Type (AAC, Aptx Variants, SBC, Dolby Codecs, Other Codec Types), Compression Type (Lossy, Lossless), End-Use Industry (Consumer Electronics, Media and Entertainment, Telecom and VoIP, and More), and Geography (North America, South America, Europe, Asia-Pacific, and More). The Market Forecasts are Provided in Terms of Value (USD).

Global Audio Codec Market Trends and Insights

Surge in Streaming Audio and Video Adoption

Streaming platforms are splitting into mainstream tiers capped at 256 kilobits-per-second AAC and premium tiers offering lossless or spatial catalogs, which transfers royalty flows from cloud decoding to device-side IP embedded in phones, smart speakers, and infotainment head units. The 3rd Generation Partnership Project (3GPP) finalized the Immersive Voice and Audio Services (IVAS) codec in Release 18, allowing telecom operators to bundle spatial audio in 5G data plans. Broadcast engineers are already inserting object-based MPEG-H tracks so viewers can select personalized commentary, a feature that legacy stereo codecs cannot replicate without server re-encoding. Compliance with ITU-R loudness guidelines maintains uniform playback levels across adaptive-bit-rate streams, reducing churn caused by listener fatigue.

Smartphone and Wireless-Earbud Volume Growth

Global smartphone shipments steadied at roughly 1.2 billion units in 2025, but mid-tier devices now integrate multi-codec stacks such as Qualcomm Snapdragon Sound, which packages aptX Lossless, aptX Adaptive, and LC3 in one library. Shipments of TWS earbuds crossed 350 million the same year, and average selling prices rose as brands added active noise cancellation that demands sub-20 millisecond latency. Samsung's Galaxy Buds3 Pro dynamically selects among SBC, AAC, and Samsung Scalable Codec to minimize dropouts. Bluetooth Special Interest Group (SIG) data show LC3-certified devices topping 50 million cumulative units, concentrated in hearing aids, where 50% lower bit rate extends battery life.

High Licensing Cost and Patent-Pool Complexity

Via Licensing charges USD 0.10-0.98 per unit for AAC, while MPEG-H and IVAS layers can push total royalties beyond USD 1.50 on premium car head units. Minimum annual guarantees squeeze low-volume OEMs and divert them toward royalty-free SBC or LC3. Chinese smartphone brands have lobbied for compulsory FRAND terms as IVAS adds a third licensing layer. Cross-complaints between Fraunhofer and Dolby in German and U.S. courts heighten uncertainty, and importers in Africa and South America face shipment delays when they must negotiate directly with patent pools.

Other drivers and restraints analyzed in the detailed report include:

1. Standardization of Codecs in 5G Broadcast
2. Growing Adoption of Bluetooth LE Audio (LC3) in Hearables
3. Rise of Royalty-Free Codecs (Opus, FLAC)

For complete list of drivers and restraints, kindly check the Table Of Contents.

Segment Analysis

Software frameworks added 6.01% CAGR momentum through 2031 as OEMs use firmware pushes to insert new formats post-launch, an agility that hardware IP cannot match. ARM's Cortex-M85 with Helium vectors now decodes LC3 and Opus on sub-USD 5 microcontrollers, unlocking the audio codec market for IoT wearables. The automotive domain still favors hardware because ISO 26262 safety assessments demand deterministic paths, and Synopsys supplies pre-verified DSP cores with embedded AAC and aptX that ship in automotive system-on-chips.

Hardware DSP IP cores, nonetheless, held 60.19% audio codec market share in 2025. Automotive infotainment and smart-TV manufacturers rely on fixed accelerators to minimize per-channel power. Yet software-defined architectures such as Tesla's are decoupling codec refresh cycles from silicon roadmaps, allowing a fast pivot to LC3 or IVAS without waiting for a new chip tape-out.

AAC retained 45.27% of 2025 revenue because iOS and Android include it as a mandatory decode. Qualcomm aptX and Sony LDAC play in premium Bluetooth headphones, whereas SBC stays in budget accessories for its zero-royalty position. Dolby's portfolio, spanning AC-3, AC-4, and Dolby Atmos, is growing 5.95% to 2031 as streaming and automotive segments license object-based rendering.

Next-gen value is shifting from compression to authoring and rendering. Dolby Atmos Music, now exceeding 10,000 tracks, encodes up to 128 audio objects so playback devices can tailor output to any speaker array. Chinese EV makers, however, choose MPEG-H to avoid per-vehicle fees topping USD 50, signaling a pricing challenge for Dolby in cost-sensitive geographies.

Geography Analysis

Asia-Pacific accounted for 34.83% of 2025 revenue, with China dominating smartphone and TWS production. Regional politics spur Chinese OEMs to adopt homegrown codecs such as Huawei HWA to cut reliance on U.S. IP. The Bluetooth SIG notes LC3 penetration lags in low-cost accessories but leaps ahead in premium LDAC or aptX Lossless devices.

The Middle East and Africa are forecast to grow at a 5.85% CAGR, driven by operators deploying 5G broadcast and IVAS without legacy constraints. UAE carriers ran MPEG-H trials in Dubai, streaming multi-language sports commentary, and South Africa's digital TV transition mandates AC-4 and MPEG-H decoders, creating a one-off licensing windfall for IP owners.

North America and Europe see premiumization of codecs rather than unit growth. European broadcasters' dual-codec period slows HE-AAC sunset, and North American EV makers integrate Dolby Atmos as a differentiator. South America remains price sensitive; gray-market imports often ship without proper licenses, reducing capture rates for pools.

1. Dolby Laboratories Inc.
2. Qualcomm Technologies Inc.
3. Fraunhofer-Gesellschaft
4. Sony Corporation
5. Microsoft Corporation
6. DTS LLC (Subsidiary of Xperi Inc.)
7. Audio Coding Technologies LLC
8. RealNetworks Inc.
9. Alibaba DAMO Academy
10. Meta Platforms Inc.
11. Samsung Electronics Co., Ltd.
12. Bose Corporation
13. Harman International Industries Inc.
14. Synopsys Inc.
15. Cadence Design Systems Inc.
16. ARM Ltd.
17. Imagination Technologies Ltd.
18. Analog Devices Inc.
19. Cirrus Logic Inc.
20. Texas Instruments Inc.

Additional Benefits:

• The market estimate (ME) sheet in Excel format
• 3 months of analyst support

TABLE OF CONTENTS

1 INTRODUCTION

• 1.1 Study Assumptions and Market Definition
• 1.2 Scope of the Study

2 RESEARCH METHODOLOGY

3 EXECUTIVE SUMMARY

4 MARKET LANDSCAPE

• 4.1 Market Overview
• 4.2 Market Drivers
  • 4.2.1 Surge in Streaming Audio and Video Adoption
  • 4.2.2 Smartphone and Wireless-Earbud Volume Growth
  • 4.2.3 Standardization of Codecs in 5G Broadcast
  • 4.2.4 Growing Adoption of Bluetooth LE Audio (LC3) in Hearables
  • 4.2.5 Automotive In-Cabin Personalised Sound Zones
  • 4.2.6 On-Device AI-Enabled Neural Codecs for IoT Sensors
• 4.3 Market Restraints
  • 4.3.1 High Licensing Cost and Patent-Pool Complexity
  • 4.3.2 Rise of Royalty-Free Codecs (Opus, FLAC)
  • 4.3.3 Edge-AI Compression Reducing External Codec Demand
  • 4.3.4 Sustainability-Driven Bit-Rate Caps in Consumer Devices
• 4.4 Industry Value-Chain Analysis
• 4.5 Impact of Macroeconomic Factors on the Market
• 4.6 Regulatory Landscape
• 4.7 Technological Outlook
• 4.8 Porter's Five Forces Analysis
  • 4.8.1 Threat of New Entrants
  • 4.8.2 Bargaining Power of Suppliers
  • 4.8.3 Bargaining Power of Buyers
  • 4.8.4 Threat of Substitutes
  • 4.8.5 Intensity of competitive Rivalry

5 MARKET SIZE AND GROWTH FORECASTS (VALUE)

• 5.1 By Component
  • 5.1.1 Hardware DSP IP Cores
  • 5.1.2 Software Codecs (Media Frameworks)
• 5.2 By Codec Type
  • 5.2.1 AAC (Advanced Audio Coding)
  • 5.2.2 aptX / aptX HD / aptX Lossless
  • 5.2.3 SBC (Sub-Band Coding)
  • 5.2.4 Dolby Codecs
  • 5.2.5 Other Codec Types
• 5.3 By Compression Type
  • 5.3.1 Lossy
  • 5.3.2 Lossless
• 5.4 By End-Use Industry
  • 5.4.1 Consumer Electronics
    • 5.4.1.1 Smartphones
    • 5.4.1.2 True Wireless Stereo / Earbuds
    • 5.4.1.3 Smart Speakers
    • 5.4.1.4 Televisions and Set-Top Boxes
    • 5.4.1.5 Automotive Infotainment
  • 5.4.2 Media and Entertainment
    • 5.4.2.1 Music and Podcast Streaming
    • 5.4.2.2 Broadcast and OTT Video
  • 5.4.3 Telecom and VoIP
  • 5.4.4 Enterprise Unified Communications
  • 5.4.5 Other End-Use Industries
• 5.5 By Geography
  • 5.5.1 North America
    • 5.5.1.1 United States
    • 5.5.1.2 Canada
    • 5.5.1.3 Mexico
  • 5.5.2 Europe
    • 5.5.2.1 Germany
    • 5.5.2.2 United Kingdom
    • 5.5.2.3 France
    • 5.5.2.4 Italy
    • 5.5.2.5 Spain
    • 5.5.2.6 Russia
    • 5.5.2.7 Rest of Europe
  • 5.5.3 Asia-Pacific
    • 5.5.3.1 China
    • 5.5.3.2 Japan
    • 5.5.3.3 India
    • 5.5.3.4 South Korea
    • 5.5.3.5 Australia and New Zealand
    • 5.5.3.6 Rest of Asia-Pacific
  • 5.5.4 South America
  • 5.5.5 Middle East & Africa

6 COMPETITIVE LANDSCAPE

• 6.1 Market Concentration
• 6.2 Strategic Moves
• 6.3 Market Share Analysis
• 6.4 Company Profiles (includes Global Level Overview, Market Level Overview, Core Segments, Financials as available, Strategic Information, Market Rank/Share, Products and Services, Recent Developments)
  • 6.4.1 Dolby Laboratories Inc.
  • 6.4.2 Qualcomm Technologies Inc.
  • 6.4.3 Fraunhofer-Gesellschaft
  • 6.4.4 Sony Corporation
  • 6.4.5 Microsoft Corporation
  • 6.4.6 DTS LLC (Subsidiary of Xperi Inc.)
  • 6.4.7 Audio Coding Technologies LLC
  • 6.4.8 RealNetworks Inc.
  • 6.4.9 Alibaba DAMO Academy
  • 6.4.10 Meta Platforms Inc.
  • 6.4.11 Samsung Electronics Co., Ltd.
  • 6.4.12 Bose Corporation
  • 6.4.13 Harman International Industries Inc.
  • 6.4.14 Synopsys Inc.
  • 6.4.15 Cadence Design Systems Inc.
  • 6.4.16 ARM Ltd.
  • 6.4.17 Imagination Technologies Ltd.
  • 6.4.18 Analog Devices Inc.
  • 6.4.19 Cirrus Logic Inc.
  • 6.4.20 Texas Instruments Inc.

7 MARKET OPPORTUNITIES AND FUTURE OUTLOOK

• 7.1 White-Space and Unmet-Need Assessment