시장보고서
상품코드
1555082

세계의 웹툰 시장 : 시장 규모, 현상, 예측(2024-2030년)

Global Webtoons Market Size, Status and Forecast 2024-2030

발행일: | 리서치사: QYResearch | 페이지 정보: 영문 | 배송안내 : 2-3일 (영업일 기준)

    
    
    




■ 보고서에 따라 최신 정보로 업데이트하여 보내드립니다. 배송일정은 문의해 주시기 바랍니다.

세계 웹툰 시장 규모는 2023년 40억 9,300만 달러에서 2030년에는 54억 8,420만 달러로 성장할 것으로 예측되며, 예측 기간 중(2024-2030년) 연간 평균 성장률(CAGR))는 5.58%가 될 것으로 보입니다.

북미 웹툰 시장 규모는 2023년 4억 9,041만 달러에서 2030년에는 6억 728만 달러에 이를 것으로 예측되며, 예측 기간(2024-2030년)의 CAGR은 4.86%가 될 것으로 보입니다. 되었습니다.

웹툰의 중국 시장 규모는 2023년 12억 3,110만 달러에서 2030년에는 17억 8,439만 달러에 이를 것으로 예측되며, 2024년부터 2030년 예측 기간 중 CAGR은 6.95%가 될 것으로 보입니다. 되었습니다.

웹툰의 유럽 시장 규모는 2023년 3억 4,955만 달러에서 2030년에는 4억 3,766만 달러에 이를 것으로 예측되며, 2024년부터 2030년 예측 기간 중 CAGR은 5.13%가 될 것으로 보입니다. 되었습니다.

한국은 세계 최대의 웹툰 시장 중 하나이며, 웹툰의 한국 시장은 2023년 12억 1,797만 달러에서 2024년부터 2030년까지의 예측 기간에 CAGR 5.13%로 증가했으며, 2030년에는 16억 1,686만 달러에 이를 것으로 예측됩니다.

웹툰의 세계 주요 기업은 Naver, Kakao, Comico(NHN), KidariStudio, Ridibooks(RIDI Corp), Tencent, Webcomics(SideWalk Group), Tappytoon, Kuaikan, Izneo Webtoon, Toomics(Terapin Studios), MangaToon Factory, Amazia, Manman Manhua, Mr Blue, Donman Entertainment, Bilibili Comics, ToryComics, TOPCO, Stela, Graphite 등이 포함됩니다. 2023년 세계 상위 5개사의 매출 점유율은 약 54.37%였습니다.

이 보고서는 세계 웹툰 시장을 조사했으며, 시장 개요와 함께 유형별, 용도별, 지역별 동향, 시장 진출기업 프로파일 등의 정보를 제공합니다.

목차

제1장 보고서 개요

  • 조사 범위
  • 유형별 시장 분석
  • 용도별 시장
  • 전제와 제한
  • 조사 목적
  • 대상 연도

제2장 세계의 성장 동향

  • 세계의 웹툰 시장 전망(2019-2030년)
  • 세계의 웹툰 성장 동향, 지역별
  • 웹툰 시장 역학

제3장 주요 참가 기업의 경쟁 구도

제4장 웹툰의 분석 데이터(유형별)

  • 세계의 웹툰 시장 규모 실적(유형별)(2019-2024년)
  • 세계의 웹툰 시장 규모 예측(유형별)(2025-2030년)

제5장 웹툰 분석 데이터(용도별)

  • 세계의 웹툰 시장 규모 실적(용도별)(2019-2024년)
  • 세계의 웹툰 시장 규모 예측(용도별)(2025-2030년)

제6장 북미

제7장 유럽

제8장 중국

제9장 아시아(중국 제외)

제10장 라틴아메리카

제11장 중동 및 아프리카

제12장 주요 기업 프로파일

  • Naver
  • Kakao
  • Comico (NHN)
  • KidariStudio
  • Ridibooks(RIDI Corp)
  • Tencent
  • Webcomics(SideWalk Group)
  • Tappytoon
  • Kuaikan
  • Izneo Webtoon
  • Toomics(Terapin Studios)
  • MangaToon
  • Webtoon Factory
  • Amazia
  • Manman Manhua
  • Mr Blue
  • Dongman Entertainment
  • Bilibili Comics
  • ToryComics
  • TOPCO
  • Stela
  • Graphite

제13장 애널리스트의 시점/결론

제14장 부록

JHS 24.09.24

The global Webtoons market is projected to grow from US$ 4,093.00 million in 2023 to US$ 5,484.20 million by 2030, at a Compound Annual Growth Rate (CAGR) of 5.58% during the forecast period (2024-2030).

The North America market for Webtoons is estimated to increase from $ 490.41 million in 2023 to reach $ 607.28 million by 2030, at a CAGR of 4.86% during the forecast period of 2024 through 2030.

The China market for Webtoons is estimated to increase from $ 1,231.10 million in 2023 to reach $ 1,784.39 million by 2030, at a CAGR of 6.95% during the forecast period of 2024 through 2030.

The Europe market for Webtoons is estimated to increase from $ 349.55 million in 2023 to reach $ 437.66 million by 2030, at a CAGR of 5.13% during the forecast period of 2024 through 2030.

South Korea is one of the largest Webtoons market in the world, the South Korea market for Webtoons is estimated to increase from $ 1,217.97 million in 2023 to reach $ 1,616.86 million by 2030, at a CAGR of 5.13% during the forecast period of 2024 through 2030.

The global key companies of Webtoons include Naver, Kakao, Comico (NHN), KidariStudio, Ridibooks (RIDI Corp), Tencent, Webcomics (SideWalk Group), Tappytoon, Kuaikan, Izneo Webtoon, Toomics (Terapin Studios), MangaToon, Webtoon Factory, Amazia, Manman Manhua, Mr Blue, Dongman Entertainment, Bilibili Comics, ToryComics, TOPCO, Stela, Graphite, etc. In 2023, the global top five players had a share approximately 54.37% in terms of revenue.

This report presents an overview of global market for Webtoons market size. Analyses of the global market trends, with historic market revenue data for 2019 - 2023, estimates for 2024, and projections of CAGR through 2030.

This report researches the key producers of Webtoons, also provides the revenue of main regions and countries. Highlights of the upcoming market potential for Webtoons, and key regions/countries of focus to forecast this market into various segments and sub-segments. Country specific data and market value analysis for the U.S., Canada, Mexico, Brazil, China, Japan, South Korea, Southeast Asia, India, Germany, the U.K., Italy, Middle East, Africa, and Other Countries.

This report focuses on the Webtoonsrevenue, market share and industry ranking of main companies, data from 2019 to 2024. Identification of the major stakeholders in the global Webtoons market, and analysis of their competitive landscape and market positioning based on recent developments and segmental revenues. This report will help stakeholders to understand the competitive landscape and gain more insights and position their businesses and market strategies in a better way.

Market Segmentation:

This report analyzes the segments data by Type and by Application, revenue, and growth rate, from 2019 to 2030. Evaluation and forecast the market size for Webtoons revenue, projected growth trends, production technology, application and end-user industry.

Descriptive company profiles of the major global players, including Naver, Kakao, Comico (NHN), KidariStudio, Ridibooks (RIDI Corp), Tencent, Webcomics (SideWalk Group), Tappytoon, Kuaikan, Izneo Webtoon, Toomics (Terapin Studios), MangaToon, Webtoon Factory, Amazia, Manman Manhua, Mr Blue, Dongman Entertainment, Bilibili Comics, ToryComics, TOPCO, Stela, Graphite, etc.

By Company

  • Naver
  • Kakao
  • Comico (NHN)
  • KidariStudio
  • Ridibooks (RIDI Corp)
  • Tencent
  • Webcomics (SideWalk Group)
  • Tappytoon
  • Kuaikan
  • Izneo Webtoon
  • Toomics (Terapin Studios)
  • MangaToon
  • Webtoon Factory
  • Amazia
  • Manman Manhua
  • Mr Blue
  • Dongman Entertainment
  • Bilibili Comics
  • ToryComics
  • TOPCO
  • Stela
  • Graphite

Segment by Type

  • Subscription Based
  • Advertisement Based

Segment by Application

  • Mobile Phone
  • PC/Notebook
  • Tablet Computer
  • Others

By Region

  • North America
  • United States
  • Canada
  • Asia-Pacific
  • China
  • Japan
  • South Korea
  • Southeast Asia
  • India
  • Australia
  • Rest of Asia
  • Europe
  • Germany
  • France
  • U.K.
  • Italy
  • Russia
  • Nordic Countries
  • Rest of Europe
  • Latin America
  • Mexico
  • Brazil
  • Rest of Latin America
  • Middle East & Africa
  • Turkey
  • Saudi Arabia
  • UAE
  • Rest of MEA

Chapter Outline:

Chapter 1: Introduces the report scope of the report, executive summary of different market segments (product type, application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.

Chapter 2: Revenue of Webtoons in global and regional level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world. This section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.

Chapter 3: Detailed analysis of Webtoons companies' competitive landscape, revenue, market share and industry ranking, latest development plan, merger, and acquisition information, etc.

Chapter 4: Provides the analysis of various market segments by Type, covering the revenue, and development potential of each market segment, to help readers find the blue ocean market in different market segments.

Chapter 5: Provides the analysis of various market segments by Application, covering the revenue, and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.

Chapter 6: North America (North America) by Type, by Application and by country, revenue for each segment.

Chapter 7: Europe by Type, by Application and by country, revenue for each segment.

Chapter 8: China by Type, and by Application, revenue for each segment.

Chapter 9: Asia (excluding China) by Type, by Application and by region, revenue for each segment.

Chapter 10: Middle East, Africa, and Latin America by Type, by Application and by country, revenue for each segment.

Chapter 11: Provides profiles of key companies, introducing the basic situation of the main companies in the market in detail, including product descriptions and specifications, Webtoonsrevenue, gross margin, and recent development, etc.

Chapter 12: Analyst's Viewpoints/Conclusions.

Table of Contents

1 Report Overview

  • 1.1 Study Scope
  • 1.2 Market Analysis by Type
    • 1.2.1 Global Webtoons Market Size Growth Rate by Type: 2019 VS 2023 VS 2030
    • 1.2.2 Subscription Based
    • 1.2.3 Advertisement Based
  • 1.3 Market by Application
    • 1.3.1 Global Webtoons Market Share by Application: 2019 VS 2023 VS 2030
    • 1.3.2 Mobile Phone
    • 1.3.3 PC/Notebook
    • 1.3.4 Tablet Computer
    • 1.3.5 Others
  • 1.4 Assumptions and Limitations
  • 1.5 Study Objectives
  • 1.6 Years Considered

2 Global Growth Trends

  • 2.1 Global Webtoons Market Perspective (2019-2030)
  • 2.2 Global Webtoons Growth Trends by Region
    • 2.2.1 Global Webtoons Market Size by Region: 2019 VS 2023 VS 2030
    • 2.2.2 Webtoons Historic Market Size by Region (2019-2024)
    • 2.2.3 Webtoons Forecasted Market Size by Region (2025-2030)
  • 2.3 Webtoons Market Dynamics
    • 2.3.1 Webtoons Industry Trends
    • 2.3.2 Webtoons Market Drivers
    • 2.3.3 Webtoons Market Challenges
    • 2.3.4 Webtoons Market Restraints

3 Competition Landscape by Key Players

  • 3.1 Global Revenue Webtoons by Players
    • 3.1.1 Global Webtoons Revenue by Players (2019-2024)
    • 3.1.2 Global Webtoons Revenue Market Share by Players (2019-2024)
  • 3.2 Global Webtoons Market Share by Company Type (Tier 1, Tier 2, and Tier 3)
  • 3.3 Global Key Players of Webtoons, Ranking by Revenue, 2022 VS 2023 VS 2024
  • 3.4 Global Webtoons Market Concentration Ratio
    • 3.4.1 Global Webtoons Market Concentration Ratio (CR5)
    • 3.4.2 Global Top 3 and Top 5 Companies by Webtoons Revenue in 2023
  • 3.5 Global Key Players of Webtoons Head office and Area Served
  • 3.6 Establish Date of Global Key Webtoons Players
  • 3.7 New Entrants
  • 3.8 Mergers & Acquisitions, Expansion Plans

4 Webtoons Breakdown Data by Type

  • 4.1 Global Webtoons Historic Market Size by Type (2019-2024)
  • 4.2 Global Webtoons Forecasted Market Size by Type (2025-2030)

5 Webtoons Breakdown Data by Application

  • 5.1 Global Webtoons Historic Market Size by Application (2019-2024)
  • 5.2 Global Webtoons Forecasted Market Size by Application (2025-2030)

6 North America

  • 6.1 North America Webtoons Market Size (2019-2030)
  • 6.2 North America Webtoons Market Size by Type
    • 6.2.1 North America Webtoons Market Size by Type (2019-2024)
    • 6.2.2 North America Webtoons Market Size by Type (2025-2030)
    • 6.2.3 North America Webtoons Market Share by Type (2019-2030)
  • 6.3 North America Webtoons Market Size by Application
    • 6.3.1 North America Webtoons Market Size by Application (2019-2024)
    • 6.3.2 North America Webtoons Market Size by Application (2025-2030)
    • 6.3.3 North America Webtoons Market Share by Application (2019-2030)
  • 6.4 North America Webtoons Market Size by Country
    • 6.4.1 North America Webtoons Market Size by Country: 2019 VS 2023 VS 2030
    • 6.4.2 North America Webtoons Market Size by Country (2019-2024)
    • 6.4.3 North America Webtoons Market Share by Country (2025-2030)
    • 6.4.4 United States
    • 6.4.5 Canada

7 Europe

  • 7.1 Europe Webtoons Market Size (2019-2030)
  • 7.2 Europe Webtoons Market Size by Type
    • 7.2.1 Europe Webtoons Market Size by Type (2019-2024)
    • 7.2.2 Europe Webtoons Market Size by Type (2025-2030)
    • 7.2.3 Europe Webtoons Market Share by Type (2019-2030)
  • 7.3 Europe Webtoons Market Size by Application
    • 7.3.1 Europe Webtoons Market Size by Application (2019-2024)
    • 7.3.2 Europe Webtoons Market Size by Application (2025-2030)
    • 7.3.3 Europe Webtoons Market Share by Application (2019-2030)
  • 7.4 Europe Webtoons Market Size by Country
    • 7.4.1 Europe Webtoons Market Size by Country: 2019 VS 2023 VS 2030
    • 7.4.2 Europe Webtoons Market Size by Country (2019-2024)
    • 7.4.3 Europe Webtoons Market Size by Country (2025-2030)
    • 7.4.4 Germany
    • 7.4.5 France
    • 7.4.6 U.K.
    • 7.4.7 Italy
    • 7.4.8 Russia
    • 7.4.9 Nordic Countries

8 China

  • 8.1 China Webtoons Market Size (2019-2030)
  • 8.2 China Webtoons Market Size by Type
    • 8.2.1 China Webtoons Market Size by Type (2019-2024)
    • 8.2.2 China Webtoons Market Size by Type (2025-2030)
    • 8.2.3 China Webtoons Market Share by Type (2019-2030)
  • 8.3 China Webtoons Market Size by Application
    • 8.3.1 China Webtoons Market Size by Application (2019-2024)
    • 8.3.2 China Webtoons Market Size by Application (2025-2030)
    • 8.3.3 China Webtoons Market Share by Application (2019-2030)

9 Asia (excluding China)

  • 9.1 Asia Webtoons Market Size (2019-2030)
  • 9.2 Asia Webtoons Market Size by Type
    • 9.2.1 Asia Webtoons Market Size by Type (2019-2024)
    • 9.2.2 Asia Webtoons Market Size by Type (2025-2030)
    • 9.2.3 Asia Webtoons Market Share by Type (2019-2030)
  • 9.3 Asia Webtoons Market Size by Application
    • 9.3.1 Asia Webtoons Market Size by Application (2019-2024)
    • 9.3.2 Asia Webtoons Market Size by Application (2025-2030)
    • 9.3.3 Asia Webtoons Market Share by Application (2019-2030)
  • 9.4 Asia Webtoons Market Size by Region
    • 9.4.1 Asia Webtoons Market Size by Region: 2019 VS 2023 VS 2030
    • 9.4.2 Asia Webtoons Market Size by Region (2019-2024)
    • 9.4.3 Asia Webtoons Market Size by Region (2025-2030)
    • 9.4.4 Japan
    • 9.4.5 South Korea
    • 9.4.6 China Taiwan
    • 9.4.7 India
    • 9.4.8 Singapore
    • 9.4.9 Malaysia
    • 9.4.10 Australia

10 Latin America

  • 10.1 Latin America Webtoons Market Size (2019-2030)
  • 10.2 Latin America Webtoons Market Size by Type
    • 10.2.1 Latin America Webtoons Market Size by Type (2019-2024)
    • 10.2.2 Latin America Webtoons Market Size by Type (2025-2030)
    • 10.2.3 Latin America Webtoons Market Share by Type (2019-2030)
  • 10.3 Latin America Webtoons Market Size by Application
    • 10.3.1 Latin America Webtoons Market Size by Application (2019-2024)
    • 10.3.2 Latin America Webtoons Market Size by Application (2025-2030)
    • 10.3.3 Latin America Webtoons Market Share by Application (2019-2030)
  • 10.4 Latin America Webtoons Market Size by Country
    • 10.4.1 Latin America Webtoons Market Size by Country: 2019 VS 2023 VS 2030
    • 10.4.2 Latin America Webtoons Market Size by Country (2019-2024)
    • 10.4.3 Latin America Webtoons Market Size by Country (2025-2030)
    • 10.4.4 Brazil
    • 10.4.5 Mexico

11 Middle East and Africa

  • 11.1 Middle East and Africa Webtoons Market Size (2019-2030)
  • 11.2 Middle East and Africa Webtoons Market Size by Type
    • 11.2.1 Middle East and Africa Webtoons Market Size by Type (2019-2024)
    • 11.2.2 Middle East and Africa Webtoons Market Size by Type (2025-2030)
    • 11.2.3 Middle East and Africa Webtoons Market Share by Type (2019-2030)
  • 11.3 Middle East and Africa Webtoons Market Size by Application
    • 11.3.1 Middle East and Africa Webtoons Market Size by Application (2019-2024)
    • 11.3.2 Middle East and Africa Webtoons Market Size by Application (2025-2030)
    • 11.3.3 Middle East and Africa Webtoons Market Share by Application (2019-2030)
  • 11.4 Middle East and Africa Webtoons Market Size by Country
    • 11.4.1 Middle East and Africa Webtoons Market Size by Country: 2019 VS 2023 VS 2030
    • 11.4.2 Middle East and Africa Webtoons Market Size by Country (2019-2024)
    • 11.4.3 Middle East and Africa Webtoons Market Size by Country (2025-2030)
    • 11.4.4 Turkey
    • 11.4.5 Saudi Arabia
    • 11.4.6 UAE

12 Key Players Profiles

  • 12.1 Naver
    • 12.1.1 Naver Company Details
    • 12.1.2 Naver Business Overview
    • 12.1.3 Naver Webtoons Introduction
    • 12.1.4 Naver Revenue in Webtoons Business (2019-2024)
    • 12.1.5 Naver Recent Development
  • 12.2 Kakao
    • 12.2.1 Kakao Company Details
    • 12.2.2 Kakao Business Overview
    • 12.2.3 Kakao Webtoons Introduction
    • 12.2.4 Kakao Revenue in Webtoons Business (2019-2024)
    • 12.2.5 Kakao Recent Development
  • 12.3 Comico (NHN)
    • 12.3.1 Comico (NHN) Company Details
    • 12.3.2 Comico (NHN) Business Overview
    • 12.3.3 Comico (NHN) Webtoons Introduction
    • 12.3.4 Comico (NHN) Revenue in Webtoons Business (2019-2024)
    • 12.3.5 Comico (NHN) Recent Development
  • 12.4 KidariStudio
    • 12.4.1 KidariStudio Company Details
    • 12.4.2 KidariStudio Business Overview
    • 12.4.3 KidariStudio Webtoons Introduction
    • 12.4.4 KidariStudio Revenue in Webtoons Business (2019-2024)
    • 12.4.5 KidariStudio Recent Development
  • 12.5 Ridibooks (RIDI Corp)
    • 12.5.1 Ridibooks (RIDI Corp) Company Details
    • 12.5.2 Ridibooks (RIDI Corp) Business Overview
    • 12.5.3 Ridibooks (RIDI Corp) Webtoons Introduction
    • 12.5.4 Ridibooks (RIDI Corp) Revenue in Webtoons Business (2019-2024)
    • 12.5.5 Ridibooks (RIDI Corp) Recent Development
  • 12.6 Tencent
    • 12.6.1 Tencent Company Details
    • 12.6.2 Tencent Business Overview
    • 12.6.3 Tencent Webtoons Introduction
    • 12.6.4 Tencent Revenue in Webtoons Business (2019-2024)
    • 12.6.5 Tencent Recent Development
  • 12.7 Webcomics (SideWalk Group)
    • 12.7.1 Webcomics (SideWalk Group) Company Details
    • 12.7.2 Webcomics (SideWalk Group) Business Overview
    • 12.7.3 Webcomics (SideWalk Group) Webtoons Introduction
    • 12.7.4 Webcomics (SideWalk Group) Revenue in Webtoons Business (2019-2024)
  • 12.8 Tappytoon
    • 12.8.1 Tappytoon Company Details
    • 12.8.2 Tappytoon Business Overview
    • 12.8.3 Tappytoon Webtoons Introduction
    • 12.8.4 Tappytoon Revenue in Webtoons Business (2019-2024)
    • 12.8.5 Tappytoon Recent Development
  • 12.9 Kuaikan
    • 12.9.1 Kuaikan Company Details
    • 12.9.2 Kuaikan Business Overview
    • 12.9.3 Kuaikan Webtoons Introduction
    • 12.9.4 Kuaikan Revenue in Webtoons Business (2019-2024)
    • 12.9.5 Kuaikan Recent Development
  • 12.10 Izneo Webtoon
    • 12.10.1 Izneo Webtoon Company Details
    • 12.10.2 Izneo Webtoon Business Overview
    • 12.10.3 Izneo Webtoon Webtoons Introduction
    • 12.10.4 Izneo Webtoon Revenue in Webtoons Business (2019-2024)
    • 12.10.5 Izneo Webtoon Recent Development
  • 12.11 Toomics (Terapin Studios)
    • 12.11.1 Toomics (Terapin Studios) Company Details
    • 12.11.2 Toomics (Terapin Studios) Business Overview
    • 12.11.3 Toomics (Terapin Studios) Webtoons Introduction
    • 12.11.4 Toomics (Terapin Studios) Revenue in Webtoons Business (2019-2024)
    • 12.11.5 Toomics (Terapin Studios) Recent Development
  • 12.12 MangaToon
    • 12.12.1 MangaToon Company Details
    • 12.12.2 MangaToon Business Overview
    • 12.12.3 MangaToon Webtoons Introduction
    • 12.12.4 MangaToon Revenue in Webtoons Business (2019-2024)
  • 12.13 Webtoon Factory
    • 12.13.1 Webtoon Factory Company Details
    • 12.13.2 Webtoon Factory Business Overview
    • 12.13.3 Webtoon Factory Webtoons Introduction
    • 12.13.4 Webtoon Factory Revenue in Webtoons Business (2019-2024)
    • 12.13.5 Webtoon Factory Recent Development
  • 12.14 Amazia
    • 12.14.1 Amazia Company Details
    • 12.14.2 Amazia Business Overview
    • 12.14.3 Amazia Webtoons Introduction
    • 12.14.4 Amazia Revenue in Webtoons Business (2019-2024)
  • 12.15 Manman Manhua
    • 12.15.1 Manman Manhua Company Details
    • 12.15.2 Manman Manhua Business Overview
    • 12.15.3 Manman Manhua Webtoons Introduction
    • 12.15.4 Manman Manhua Revenue in Webtoons Business (2019-2024)
  • 12.16 Mr Blue
    • 12.16.1 Mr Blue Company Details
    • 12.16.2 Mr Blue Business Overview
    • 12.16.3 Mr Blue Webtoons Introduction
    • 12.16.4 Mr Blue Revenue in Webtoons Business (2019-2024)
  • 12.17 Dongman Entertainment
    • 12.17.1 Dongman Entertainment Company Details
    • 12.17.2 Dongman Entertainment Business Overview
    • 12.17.3 Dongman Entertainment Webtoons Introduction
    • 12.17.4 Dongman Entertainment Revenue in Webtoons Business (2019-2024)
  • 12.18 Bilibili Comics
    • 12.18.1 Bilibili Comics Company Details
    • 12.18.2 Bilibili Comics Business Overview
    • 12.18.3 Bilibili Comics Webtoons Introduction
    • 12.18.4 Bilibili Comics Revenue in Webtoons Business (2019-2024)
    • 12.18.5 Bilibili Comics Recent Development
  • 12.19 ToryComics
    • 12.19.1 ToryComics Company Details
    • 12.19.2 ToryComics Business Overview
    • 12.19.3 ToryComics Webtoons Introduction
    • 12.19.4 ToryComics Revenue in Webtoons Business (2019-2024)
  • 12.20 TOPCO
    • 12.20.1 TOPCO Company Details
    • 12.20.2 TOPCO Business Overview
    • 12.20.3 TOPCO Webtoons Introduction
    • 12.20.4 TOPCO Revenue in Webtoons Business (2019-2024)
  • 12.21 Stela
    • 12.21.1 Stela Company Details
    • 12.21.2 Stela Business Overview
    • 12.21.3 Stela Webtoons Introduction
    • 12.21.4 Stela Revenue in Webtoons Business (2019-2024)
    • 12.21.5 Stela Recent Development
  • 12.22 Graphite
    • 12.22.1 Graphite Company Details
    • 12.22.2 Graphite Business Overview
    • 12.22.3 Graphite Webtoons Introduction
    • 12.22.4 Graphite Revenue in Webtoons Business (2019-2024)
    • 12.22.5 Graphite Recent Development

13 Analyst's Viewpoints/Conclusions

14 Appendix

  • 14.1 Research Methodology
    • 14.1.1 Methodology/Research Approach
    • 14.1.2 Data Source
  • 14.2 Author Details
  • 14.3 Disclaimer
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