![]() |
½ÃÀ庸°í¼
»óǰÄÚµå
1623293
¼¼°èÀÇ Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀå ±Ô¸ð : Á¦Ç°º°, ¿ëµµº°, Áö¿ªº°, ¹üÀ§ ¹× ¿¹ÃøGlobal Training Dancewear Market Size By Product, By Application, By Geographic Scope And Forecast |
Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀå ±Ô¸ð´Â ÃÖ±Ù ¼ö³â°£ ´ëÆøÀûÀÎ ¼ºÀå·ü·Î ±Þ¼ºÀåÇϰí ÀÖÀ¸¸ç, ¿¹Ãø ±â°£(2021-2028³â)¿¡ ½ÃÀåÀº ´ëÆøÀûÀÎ ¼ºÀåÀÌ Àü¸ÁµË´Ï´Ù.
°Ç°»óÀÇ ÀÌÁ¡¿¡ ´ëÇÑ ÀνÄÀÌ ³ô¾ÆÁü¿¡ µû¶ó »ç¶÷µéÀÌ ¿îµ¿ÀÇ ÇÑ ÇüÅ·ΠÃãÀ» ¼±ÅÃÇϵµ·Ï Àå·ÁÇϰí ÀÖÀ¸¸ç, ÀÌ´Â ¿¹Ãø ±â°£ Áß Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀåÀÇ ¼ºÀå¿¡ ±àÁ¤ÀûÀÎ ¿µÇâÀ» ¹ÌÄ¥ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. ¶ÇÇÑ ¿îµ¿À¸·Î¼ÀÇ Áܹٿ¡ ´ëÇÑ °ü½ÉÀÌ ³ô¾ÆÁü¿¡ µû¶ó ÇÇÆ®´Ï½º ÇÁ·Î±×·¥¿¡ Âü¿©ÇÏ´Â »ç¶÷µéÀÌ Áõ°¡ÇÏ¿© ½ÃÀå ¼ºÀåÀ» ÁÖµµÇϰí ÀÖ½À´Ï´Ù. ¶ÇÇÑ ½ºÆ®·¹½º¿Í ºÒ¾ÈÀ» ÁÙÀ̰í ÀڽۨÀ» ³ôÀÌ´Â µ¥ µµ¿òÀÌ µÇ¹Ç·Î Çб³¿¡¼´Â ÇлýµéÀ» À§ÇØ ´Ù¾çÇÑ ´í½º ¾ç½ÄÀ» µµÀÔÇϰí ÀÖ½À´Ï´Ù. ÀÌ ¶ÇÇÑ ½ÃÀå ¼ºÀåÀ» °¡¼ÓÇϰí ÀÖ½À´Ï´Ù. ¼¼°è Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀå º¸°í¼´Â ½ÃÀåÀÇ Àü¹ÝÀûÀÎ Æò°¡¸¦ Á¦°øÇÕ´Ï´Ù. ÁÖ¿ä ºÎ¹®, µ¿Çâ, ½ÃÀå ¼ºÀå ÃËÁø¿äÀÎ, ¾ïÁ¦¿äÀÎ, °æÀï ±¸µµ ½ÃÀå¿¡¼ Áß¿äÇÑ ¿ªÇÒÀ» ÇÏ´Â ¿äÀÎ µîÀ» Á¾ÇÕÀûÀ¸·Î ºÐ¼®ÇÕ´Ï´Ù.
¼¼°è Æ®·¹ÀÌ´×´í½º¿þ¾î ½ÃÀåÀÇ Á¤ÀÇ
´í½º¿þ¾î´Â ¹«¿ë¼öµéÀÌ ÀÔ´Â ÀǺ¹À¸·Î, ´Ù¾çÇÑ Ãã À¯Çü¿¡ ¸Â´Â ´Ù¾çÇÑ ½ºÅ¸ÀÏ·Î Á¦°øµË´Ï´Ù. ¹«¿ëº¹Àº ¹ÌÀû ¿ä±¸¸¦ ÃæÁ·½Ãų »Ó¸¸ ¾Æ´Ï¶ó °ø¿¬µÇ´Â Ãã¿¡ ´ëÇÑ °ü°´ÀÇ Âü¿©¸¦ ³ôÀ̱â À§ÇØ ¸¸µé¾îÁý´Ï´Ù. ÀÌ·± À¯ÇüÀÇ ÀǺ¹Àº 19¼¼±âºÎÅÍ Á¸ÀçÇØ ¿ÔÁö¸¸, ÆÐ¼Ç°ú µ¿ÇâÀÌ º¯ÈÇÔ¿¡ µû¶ó ¸¹Àº »õ·Î¿î À¯ÇüÀÇ ´í½º¿þ¾î¿Í ±× Á¦Á¶¸¦ À§ÇÑ Á÷¹°ÀÌ °³¹ßµÇ¾ú½À´Ï´Ù. ½ºÄ¿Æ®, ½ºÅ¸Å·, ¾Ï ¿ö¸Ó, ´í½º º§Æ®, ´í½º ½´Áî, ·¹±× ¿ö¸Ó, Æ÷¾ÈÅä ½´Áî, ·¹¿ÀŸµå, À¯´ÏŸµå, ÅõÅõ, ¹Ý¹ÙÁö, ¹ÙÁö, »óÀÇ ¹× ±âŸ ´í½º¿þ¾î°¡ ±× ¿¹ÀÔ´Ï´Ù. ƯÁ¤ Ãã µ¿ÀÛÀ» À§ÇØ µðÀÚÀÎµÇ°í ´í½º Çà»ç¸¦ À§ÇØ Æ¯º°È÷ Âø¿ëÇÏ´Â ´í½º ÀÇ»óµµ Æ÷ÇԵ˴ϴÙ. ¿¹¸¦ µé¾î ¹ß·¹´Â ¹ß·¹ Ä¡¸¶, ·¹¿ÀŸµå, ŸÀÌÃ÷, ¹ß·¹È µî Ãã¿¡ ÀûÇÕÇÑ ÀÇ»óÀÌ ÇÊ¿äÇÕ´Ï´Ù.
ÅÇ´í½º´Â ÅÇ´í½º¸¦ Æ÷ÇÔÇÑ ÃãÀÇ ÀÏÁ¾ÀÔ´Ï´Ù. ·¹¿ÀŸµå ´í½º¿þ¾î´Â ¹ÝÆÈ, ±äÆÈ, ¹Î¼Ò¸Å, ¹Î¼Ò¸Å°¡ ÀÖÀ¸¸ç ¹ß·¹ÀÇ µå·¹½º Äڵ忡 µû¶ó ´Ù¾çÇÑ »ö»ó(ºÐÈ«»ö, °ËÀº»ö µî)ÀÌ ÀÖ½À´Ï´Ù. µû¶ó¼ ¹«¿ëº¹Àº Åë±â¼ºÀÌ ÁÁ°í °¡º±°í ½ÅÃ༺ÀÌ ÀÖÀ¸¸ç, ¹«¿ë¼öµéÀÌ ÀÚÀ¯·Ó°í Æí¾ÈÇÏ°Ô ¿òÁ÷ÀÏ ¼ö ÀÖ¾î¾ß ÇÕ´Ï´Ù. ·¹¿ÀŸµå³ª ŸÀÌÃ÷´Â Çæ··Çϰųª Çæ··ÇÏÁö ¾Ê¾Æ¾ß Çϸç, ŸÀÌÆ®Çϸ鼵µ Æí¾ÈÇÑ Âø¿ë°¨ÀÌ ÀÖ¾î¾ß ÇÕ´Ï´Ù. ÀçÁî ´í½º¿þ¾î´Â ¸ö¿¡ ²À ¸Â´Â »óÀÇ¿Í ÀçÁî ÆÒÃ÷ ¶Ç´Â ·¹¿ÀŸµå¿Í ŸÀÌÃ÷, ±×¸®°í ºÎµå·´°í Æí¾ÈÇÑ °¡Á× ½Å¹ß·Î ±¸¼ºµÇ´Â °æ¿ì°¡ ¸¹½À´Ï´Ù.
´ëºÎºÐÀÇ ÀçÁî ÆÒÃ÷´Â °ËÀº»öÀ¸·Î ¹Ø´Ü¿¡ ÀÛÀº Ç÷¹¾î°¡ ÀÖ°í, »óÀÇ´Â ¸ö¿¡ ²À ¸Â½À´Ï´Ù. ´Ù¾çÇÑ ´í½º ½ºÅ¸ÀÏÀÇ ´í½º¿þ¾î¿Í ´í½º ÀÇ»óÀº Ʋ¿¡ ¹ÚÈù ½ºÅ¸ÀÏÀÏ ÇÊ¿ä´Â ¾øÁö¸¸ Åë±â¼ºÀÌ ÁÁ°í Âø¿ë°¨ÀÌ ÁÁÀº ¼ÒÀç µî ´í½º¿þ¾îÀÇ ±âº» ¿ä¼Ò´Â ¹Ýµå½Ã ÁöÄÑ¾ß ÇÕ´Ï´Ù. ¿¹¸¦ µé¾î ÈüÇÕ ´í½º¸¦ ¹è¿ì´Â ÇлýµéÀº Á¾Á¾ Çæ··ÇÑ Çæ··ÇÑ ¿ÊÀ» ÀÔ´Â °æ¿ì°¡ ¸¹½À´Ï´Ù. ÈüÇÕ ÇлýµéÀº ·¯´×ȸ¦ ¼±È£ÇÏÁö¸¸, ´Ù¸¥ Çö´ë¹«¿ë ÇлýµéÀº ¹ßÅä½Ã¸¦ ¼±ÅÃÇÕ´Ï´Ù. ¸®¸®Äà ´í½º¿Í Çö´ë¹«¿ëÀº ¸ö¿¡ ²À ¸Â´Â »óÀÇ¿Í ·¹¿ÀŸµå, ½ÅÃ༺ ÀÖ´Â ¹ÙÁö, ´Ù¸® ¾ø´Â ŸÀÌÃ÷µµ ÇÊ¿äÇÕ´Ï´Ù.
¼¼°èÀÇ Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀå °³¿ä
°Ç°»óÀÇ ÀÌÁ¡¿¡ ´ëÇÑ ÀνÄÀÌ ³ô¾ÆÁö¸é¼ »ç¶÷µéÀÌ ÃãÀ» ¿îµ¿À¸·Î ¼±ÅÃÇϵµ·Ï Àå·ÁÇϰí ÀÖÀ¸¸ç, ÀÌ´Â ¿¹Ãø ±â°£ Áß Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀåÀÇ ¼ºÀå¿¡ ±àÁ¤ÀûÀÎ ¿µÇâÀ» ¹ÌÄ¥ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. »ç¶÷µéÀº üÁßÀ» ÁÙÀ̰í, Ä®·Î¸®¸¦ Å¿ì°í, °Ç°À» À¯ÁöÇϱâ À§ÇØ ÁÜ¹Ù¿Í °°Àº ´í½º Æû¿¡ Á¡Á¡ ´õ ¸¹Àº °ü½ÉÀ» ±â¿ïÀ̰í ÀÖ½À´Ï´Ù. ±Ù·Â ¹× ü·Â Çâ»ó, Æó ¹× ½ÉÀå ±â´É °³¼±, À¯»ê¼Ò ¿îµ¿ ÇÇÆ®´Ï½º µî Ãã°ú °ü·ÃµÈ ´Ù¾çÇÑ °Ç°»óÀÇ ÀÌÁ¡µµ Ãã º¸±ÞÀÇ ¿øµ¿·ÂÀÌ µÇ°í ÀÖ½À´Ï´Ù. ¹Î°£ ±â¾÷ Á÷¿øµéÀº ½ºÅ¸ÀÏ ½ºÅ×ÀÌÅͽºÀÇ ÀÏȯÀ¸·Î ÀÏ»ó Ȱµ¿¿¡ ¹«¿ëÀ» µµÀÔÇÏ´Â °æÇâÀÌ Á¡Á¡ ´õ °ÇØÁö°í ÀÖ½À´Ï´Ù. ÀÌ·¯ÇÑ ¿äÀεéÀº ÇâÈÄ ¼ö³â°£ Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀåÀÇ ¼ºÀåÀ» °¡¼ÓÇÒ °ÍÀ¸·Î ¿¹»óµË´Ï´Ù.
Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀåÀÇ »õ·Î¿î µ¿ÇâÀº ´Ù¾çÇÑ »ö»ó, ÇÁ¸°Æ® µðÀÚÀÎ, ±âÇÏÇÐÀû µðÀÚÀÎ, Á÷¹°ÀÇ À¯¿¬¼º°ú Æí¾ÈÇÔ, ¹ß·¹¿ë ´í½º¿þ¾î, ÀÇ»ó Ä¿½ºÅ͸¶ÀÌ¡, ÁÖ·ù ´í¼µéÀÌ ÀÔ´Â °Í°ú À¯»çÇÑ µðÀÚÀÎ, ¿©·¯ ¾ÆÆ¼½ºÆ® ¹× Ä÷º¼ÇÀÇ °¡¿ë¼º µî ´Ù¾çÇÑ ´í½º¿þ¾îÀÇ ÃâÇöÀ» °¡Á®¿Ô½À´Ï´Ù. ¿©·¯ ¾ÆÆ¼½ºÆ® ¹× Ä÷º¼ÇÀÇ °¡¿ë¼º°ú °°Àº ´í½º¿þ¾îÀÇ ÃâÇöÀ» °¡Á®¿Ô½À´Ï´Ù. ¶ÇÇÑ ¿îµ¿À¸·Î¼ÀÇ Áܹٿ¡ ´ëÇÑ °ü½ÉÀÌ ³ô¾ÆÁö¸é¼ ¼ÒÄ«, ÈüÇÕ, »ì»ç, »ï¹Ù, ¸¾º¸, ¸Þ·À°Ô µî ´Ù¾çÇÑ ÇÇÆ®´Ï½º ÇÁ·Î±×·¥¿¡ Âü¿©ÇÏ´Â »ç¶÷µéÀÌ Áõ°¡Çϰí ÀÖ½À´Ï´Ù. ±× °á°ú, ½ÃÀå ¼ºÀåÀº ¿¹Ãø ±â°£ Áß °¡¼Ó鵃 °ÍÀ¸·Î ¿¹»óµË´Ï´Ù. ¶ÇÇÑ ÀϺΠÇб³¿¡¼´Â ¹ß·¹, »ì»ç, ·ë¹Ù, »ï¹Ù, ¿ÐÃ÷, Äü½ºÅÜ, Æ÷Å© ½ºÆ®·ÎÆ® µîÀÇ »ç±³´í½º µî ´Ù¾çÇÑ ´í½º ¾ç½ÄÀ» Çлýµé¿¡°Ô °¡¸£Ä¡°í ÀÖ½À´Ï´Ù. ÀÌ¿¡ µû¶ó Æ®·¹ÀÌ´× ´í½º¿þ¾î ½ÃÀåÀº ¾ÕÀ¸·Î ´õ¿í È®´ëµÉ °ÍÀ¸·Î º¸ÀÔ´Ï´Ù.
Training Dancewear Market size is growing at a faster pace with substantial growth rates over the last few years and is estimated that the market will grow significantly in the forecasted period i.e. 2021 to 2028.
Rising awareness about health benefits has encouraged people to choose dance as a form of exercise, which is expected to positively influence the Training Dancewear Market growth over the forecast period. Additionally, as the nation's interest in Zumba as a form of exercise increases, more people are participating in fitness programs driving the market growth. Furthermore, schools are including numerous dance forms for their students, since it helps to reduce stress, anxiety, and boost confidence. This is also fueling the growth of the market. The Global Training Dancewear Market report provides a holistic evaluation of the market. The report offers a comprehensive analysis of key segments, trends, drivers, restraints, competitive landscape, and factors that are playing a substantial role in the market.
Global Training Dancewear Market Definition
Dancewear is the clothes worn by dancers and offered in a range of styles for various dance types. Dancewear is created to meet aesthetic needs as well as to increase audience participation in the dance being performed. These types of clothes have been there since the nineteenth century, but as fashion and trends have changed, many new types of dancewear and fabrics for their manufacture have developed. Skirts, tights, arm warmers, dance belts, dance shoes, legwarmers, pointe shoes, leotards, unitards, tutus, shorts, pants, tops, and other dancewear are examples. It includes dance costumes that are designed for a specific dance form and worn specifically for dance events. Ballet, for instance, requires suitable dancing clothes such as a wrap-around ballet skirt, leotard, tights, and ballet slippers.
Tap dancing is a type of dance that includes tapping Leotards dancing attire can be short-sleeved, long-sleeved, or sleeveless, and come in a variety of colors (pink or black) depending on the ballet dress code. As a result, dancewear must be breathable, lightweight, and elastic in order to allow dancers to move freely and comfortably. Dancewear must fit properly, with leotards or tights being tight yet comfortable, rather than baggy or loose. Jazz dancewear often consists of a form-fitting top with jazz pants or a leotard with tights, as well as soft, comfy leather shoes.
Most of the jazz pants are black in color, with a small flare at the bottom and a form-fitting top. Dancewear or dancing clothes for different dance styles are not expected to follow a conventional style, but they must adhere to the basic elements of dancewear, which include breathable and comfortable fabrics. Hip hop dance students, for example, often have the option to wear loose-fitting, baggy clothes. Hip hoppers prefer to wear runners, whereas students of other modern dance styles choose to use foot thongs. A form-fitting top or leotard, stretchy pants, and footless tights are also required for lyrical and modern dance.
Global Training Dancewear Market Overview
Rising awareness about health benefits has encouraged people to choose dance as a form of exercise, which is expected to positively influence the Training Dancewear Market growth over the forecast period. People are increasingly turning to dance forms like Zumba to lose weight, burn calories, and remain fit. Various health benefits associated with dance, such as improved muscle tone and strength, improved lungs and heart function, and aerobic fitness, are also driving dance adoption. Employees of private firms are increasingly incorporating dance forms into their daily activities as part of their style status. These factors are expected to drive the expansion of the Training Dancewear Market in the coming years.
New trends in the Training Dancewear Market have resulted in the emergence of the availability of dancewear in a wide range of vibrant colors, printed designs, geometric designs, increased fabric flexibility and comfort, ballet dancewear, customization of costumes, similar designs to those worn by mainstream dancers, and the availability of several artist collections. Additionally, as the nation's interest in Zumba as a form of exercise increases, more people are participating in fitness programs that include soca, hip-hop, salsa, samba, mambo, and merengue. As a result, market growth is expected to accelerate throughout the forecast period. Furthermore, schools are including numerous dance forms such as ballet, salsa, rumba, samba, and various ballroom dance forms such as waltz, quickstep, foxtrot, and others for their students, since it helps to reduce stress, anxiety, and boost confidence. The Training Dancewear Market is likely to increase even more in the future years as a result of this.
The Global Training Dancewear Market is segmented on the basis of Product, Application, and Geography.
Based on Product, the market is segmented into Women's Dancewear, Men's Dancewear, and Kids' Dancewear. The women's dancewear segment is expected to hold a major market share in terms of revenue over the forecast period.
Based on Application, the market is segmented into Schools, Theatre, TV and Film, and Others. The school segment is expected to grow at a significant rate during forecasted years.
Our market analysis also entails a section solely dedicated for such major players wherein our analysts provide an insight to the financial statements of all the major players, along with its product benchmarking and SWOT analysis. The competitive landscape section also includes key development strategies, market share and market ranking analysis of the above-mentioned players globally.