세계의 크리에이티브 소프트웨어 시장 규모 조사 : 전개별, 유형별, 지역별 예측(2022-2032년)

Global Creative Software Market is valued at approximately USD 9.39 billion in 2023 and is anticipated to grow with a healthy growth rate of more than 7.11% over the forecast period 2024-2032. Creative software encompasses digital tools designed to foster artistic and innovative expression across various mediums. This category includes graphic design programs such as Adobe Photoshop, video editing software such as Final Cut Pro, music production tools including Ableton Live, and 3D modeling applications. These tools enable users to create, edit, and refine content with precision and versatility. By providing a wide range of features and customizable options, creative software empowers artists, designers, musicians, and filmmakers to bring their ideas to life in a digital format.

The Global Creative Software Market expansion can be primarily attributed to the rising demand for transcoding methods for the efficient distribution of audio and video files to a vast user base. The widespread proliferation of online video and audio recording platforms and the increasing demand for on-demand services also contribute to this growth. Furthermore, substantial opportunities in small and medium-sized enterprises and the rapid expansion of the education sector are expected to offer significant market potential to creative software. As businesses acknowledge the need to remain competitive in the digital landscape, the incorporation of creative software has become a crucial component of their strategic initiatives. However, high cost of creative software is going to impede the overall demand for the market during the forecast period 2024-2032.

The key regions considered for the market study includes Asia Pacific, North America, Europe, Latin America, and Rest of the World. In 2023, North America dominated the market and accounted for largest share attributed to the rising demand for audio-video recording and editing platforms from the incumbents of the media & entertainment industry. The growing preference for audio and video streaming services is one of the significant factors contributing to the growth of the market. The demand for digital streaming services, which gained significant traction in the wake of the outbreak of the COVID-19 pandemic as people opted to stay indoors, shows no signs of abating, thereby driving the demand for high-quality audio and video editing software.

Major market players included in this report are:

• Adobe
• MAGIX Software GmbH
• Corel Corporation
• CyberLink Corp.
• FXhome Limited
• TechSmith Corporation
• Nero AG
• Movavi Software Limited
• Sony Creative Software Inc.
• Wondershare
• Autodesk, Inc.
• Avid Technology, Inc.
• Apple Inc.
• Serif Europe Ltd.
• Canva

The detailed segments and sub-segment of the market are explained below:

By Deployment:

• Cloud
• On-Premises

By Type:

• Sound & Video Recording Software
• Image & Video Editing Software
• Graphics & Illustration Software
• Desktop Publishing Software
• Others

By Region:

North America:

• U.S.
• Canada

Europe:

• UK
• Germany
• France
• Spain
• Italy
• ROE

Asia Pacific:

• China
• India
• Japan
• Australia
• South Korea
• RoAPAC

Latin America:

• Brazil
• Mexico
• RoLA

Middle East & Africa:

• Saudi Arabia
• South Africa
• RoMEA

Years considered for the study are as follows:

• Historical year - 2022
• Base year - 2023
• Forecast period - 2024 to 2032

Key Takeaways:

• Market Estimates & Forecast for 10 years from 2022 to 2032.
• Annualized revenues and regional level analysis for each market segment.
• Detailed analysis of geographical landscape with Country level analysis of major regions.
• Competitive landscape with information on major players in the market.
• Analysis of key business strategies and recommendations on future market approach.
• Analysis of competitive structure of the market.
• Demand side and supply side analysis of the market

Table of Contents

Chapter 1. Global Creative Software Market Executive Summary

• 1.1. Global Creative Software Market Size & Forecast (2022-2032)
• 1.2. Regional Summary
• 1.3. Segmental Summary
  • 1.3.1. By Deployment
  • 1.3.2. By Type
• 1.4. Key Trends
• 1.5. Recession Impact
• 1.6. Analyst Recommendation & Conclusion

Chapter 2. Global Creative Software Market Definition and Research Assumptions

• 2.1. Research Objective
• 2.2. Market Definition
• 2.3. Research Assumptions
  • 2.3.1. Inclusion & Exclusion
  • 2.3.2. Limitations
  • 2.3.3. Supply Side Analysis
    • 2.3.3.1. Availability
    • 2.3.3.2. Infrastructure
    • 2.3.3.3. Regulatory Environment
    • 2.3.3.4. Market Competition
    • 2.3.3.5. Economic Viability (Consumer's Perspective)
  • 2.3.4. Demand Side Analysis
    • 2.3.4.1. Regulatory Frameworks
    • 2.3.4.2. Technological Advancements
    • 2.3.4.3. Environmental Considerations
    • 2.3.4.4. Consumer Awareness & Acceptance
• 2.4. Estimation Methodology
• 2.5. Years Considered for the Study
• 2.6. Currency Conversion Rates

Chapter 3. Global Creative Software Market Dynamics

• 3.1. Market Drivers
  • 3.1.1. Rising Demand for Transcoding Methods
  • 3.1.2. Proliferation of Online Video and Audio Platforms
  • 3.1.3. Expansion in SMEs and Education Sector
• 3.2. Market Challenges
  • 3.2.1. High Costs of Creative Software
  • 3.2.2. Complexity in Software Integration
• 3.3. Market Opportunities
  • 3.3.1. Growing Adoption of Cloud-Based Solutions
  • 3.3.2. Increasing Demand for On-Demand Services
  • 3.3.3. Technological Advancements in Creative Tools

Chapter 4. Global Creative Software Market Industry Analysis

• 4.1. Porter's 5 Force Model
  • 4.1.1. Bargaining Power of Suppliers
  • 4.1.2. Bargaining Power of Buyers
  • 4.1.3. Threat of New Entrants
  • 4.1.4. Threat of Substitutes
  • 4.1.5. Competitive Rivalry
  • 4.1.6. Futuristic Approach to Porter's 5 Force Model
  • 4.1.7. Porter's 5 Force Impact Analysis
• 4.2. PESTEL Analysis
  • 4.2.1. Political
  • 4.2.2. Economical
  • 4.2.3. Social
  • 4.2.4. Technological
  • 4.2.5. Environmental
  • 4.2.6. Legal
• 4.3. Top investment opportunity
• 4.4. Top winning strategies
• 4.5. Disruptive Trends
• 4.6. Industry Expert Perspective
• 4.7. Analyst Recommendation & Conclusion

Chapter 5. Global Creative Software Market Size & Forecasts by Deployment 2022-2032

• 5.1. Segment Dashboard
• 5.2. Global Creative Software Market: Deployment Revenue Trend Analysis, 2022 & 2032 (USD Billion)
  • 5.2.1. Cloud
  • 5.2.2. On-Premises

Chapter 6. Global Creative Software Market Size & Forecasts by Type 2022-2032

• 6.1. Segment Dashboard
• 6.2. Global Creative Software Market: Type Revenue Trend Analysis, 2022 & 2032 (USD Billion)
  • 6.2.1. Sound & Video Recording Software
  • 6.2.2. Image & Video Editing Software
  • 6.2.3. Graphics & Illustration Software
  • 6.2.4. Desktop Publishing Software
  • 6.2.5. Others

Chapter 7. Global Creative Software Market Size & Forecasts by Region 2022-2032

• 7.1. North America Creative Software Market
  • 7.1.1. U.S. Creative Software Market
    • 7.1.1.1. Deployment breakdown size & forecasts, 2022-2032
    • 7.1.1.2. Type breakdown size & forecasts, 2022-2032
  • 7.1.2. Canada Creative Software Market
• 7.2. Europe Creative Software Market
  • 7.2.1. UK Creative Software Market
  • 7.2.2. Germany Creative Software Market
  • 7.2.3. France Creative Software Market
  • 7.2.4. Spain Creative Software Market
  • 7.2.5. Italy Creative Software Market
  • 7.2.6. Rest of Europe Creative Software Market
• 7.3. Asia-Pacific Creative Software Market
  • 7.3.1. China Creative Software Market
  • 7.3.2. India Creative Software Market
  • 7.3.3. Japan Creative Software Market
  • 7.3.4. Australia Creative Software Market
  • 7.3.5. South Korea Creative Software Market
  • 7.3.6. Rest of Asia Pacific Creative Software Market
• 7.4. Latin America Creative Software Market
  • 7.4.1. Brazil Creative Software Market
  • 7.4.2. Mexico Creative Software Market
  • 7.4.3. Rest of Latin America Creative Software Market
• 7.5. Middle East & Africa Creative Software Market
  • 7.5.1. Saudi Arabia Creative Software Market
  • 7.5.2. South Africa Creative Software Market
  • 7.5.3. Rest of Middle East & Africa Creative Software Market

Chapter 8. Competitive Intelligence

• 8.1. Key Company SWOT Analysis
• 8.2. Top Market Strategies
• 8.3. Company Profiles
  • 8.3.1. Adobe
    • 8.3.1.1. Key Information
    • 8.3.1.2. Overview
    • 8.3.1.3. Financial (Subject to Data Availability)
    • 8.3.1.4. Product Summary
    • 8.3.1.5. Market Strategies
  • 8.3.2. MAGIX Software GmbH
  • 8.3.3. Corel Corporation
  • 8.3.4. CyberLink Corp.
  • 8.3.5. FXhome Limited
  • 8.3.6. TechSmith Corporation
  • 8.3.7. Nero AG
  • 8.3.8. Movavi Software Limited
  • 8.3.9. Sony Creative Software Inc.
  • 8.3.10. Wondershare
  • 8.3.11. Autodesk, Inc.
  • 8.3.12. Avid Technology, Inc.
  • 8.3.13. Apple Inc.
  • 8.3.14. Serif Europe Ltd.
  • 8.3.15. Canva

Chapter 9. Research Process

• 9.1. Research Process
  • 9.1.1. Data Mining
  • 9.1.2. Analysis
  • 9.1.3. Market Estimation
  • 9.1.4. Validation
  • 9.1.5. Publishing
• 9.2. Research Attributes